We use iZotope RX 6 as our primary tool for restoration work. This typically is used for reducing background noise and hum, removing pops and clicks, and reducing any other unwanted sounds that may be masking the primary audio signal. Additionally, we have the iZotope Music Production Suite, Native Instruments Reaktor, and a wide variety of other plugins for use when the need arises.

Depending on your needs, we can simple remove noise from a recording, or zoom in on a microscopic level to fully clean your audio of hiss, pops, clicks, and other detrimental sounds masking the important elements in the recording. We can even take a recording session, and clean individual tracks prior to the mixing and mastering stages.

Please contact us so we can further discuss your audio issues, and provide you with our professional restoration services.

Our primary DAW is Ableton Live 10 Suite. If your recordings are from another DAW, ideally we suggest exporting all multitracks from your recording sessions if you are seeking mixing services, or exporting stems if this is not feasible. Additionally, the higher your recordings' sample rate and bit depth will provide for a higher definition mix.

For mastering, the same rules apply. We suggest you provide us with a stereo, 96/24 WAV file (or higher) if you are not seeking mixing services, and to leave at least 3 dB of headroom for proper mastering services.

If you are would like to employ our recording services, we offer a variety of options. Primarily, we provide in house overdubs of instruments you yourself are unable to play. This includes electric/acoustic guitar, electric bass, piano, and banjo, as well as playing and/or programming synthesizer and sampler parts for your music. Additionally, we can bring you in to our studio to record vocals or instruments your are unable to record elsewhere.

Furthermore, the majority of our equipment can be used for onsite recording. For location recording, we ask you to please contact us so we can discuss your needs.

Recording/Editing

• Ableton Live Suite 10
• Apple MacBook Pro Retina 15" Mid 2015
• Apple iPad (6th Gen)
• Focusrite Clarett 4Pre Interface
• iConnectivity iConnectAudio 2+ Interface
• iLoud MTM Monitors
• iZotope Music Production Suite 6
• Native Instruments Reaktor 6

Microphones

• Behringer C2 (x2)
• Behringer ECM8000 (x2)
• Shure SM 58b
• Shure SM 58
• Warm Audio 47jr

Instruments

• Alvarez R8
• Arturia Minilab
• Brand New Noise Loopy Lou
• Elektron Analog Rytm
• Elektron Digitone
• Expressive E Osmose
• Fender 2000 D10 Pedal Steel Guitar
• Goldtone CC-50 Banjo
• Hohner G3T
• Mason & Hamlin Symetrigrand c. 1948
• Moog Etherwave Theremin
• Squire P-Bass
• Teenage Engineering P.O. 12
• Teenage Engineering P.O. 33

Amps & Effects

• Ashdown AE30
• Chase Bliss Lossy
• Chase Bliss Mood MKII
• Chase Tone Fuzz Fella BC109c
• Copilot FX Autodialer
• DOD FX 17
• Dunlop Mini Volume
• Electro Harmonix Microsynth
• Electro Harmonix Mel9
• Electro Harmonix Superego+
• Epiphone Valve Junior
• Ernie Ball VP JR
• Koma Field Kit
• Koma Field Kit FX
• Koma Field Sensor Kit, Expansions and Attenuators
• Line 6 HX Effects
• Line 6 HX Stomp
• Meris Enzo
• Old Blood Noise Endeavors Expression Ramper
• Roger Mayer Voodoo Bass
• Supro Drive
• Tech 21 Blonde

Additionally, we have a variety of software synthesizers and effects from Ableton, AudioThing, Cakewalk, Eventide, Focusrite, iZotope, Korg, Moog, Native Instruments, Softube, SoundToys, and more. Other equipment includes sound absorbtion panels, midi controllers, audio patchbays, various noisemakers, multiple sets of headphones, a slew of cables and power sources, and many other odds and ends.